Movie Reviews » watchable

ZEF: The Story Of Die Antwoord

Pretty decent documentary about a rap band I've always found visually compelling and musically and personally detestable. If you've ever felt compelled to sit through their videos despite entirely disliking the songs, this is pretty watchable. Also, there's some bits where they actually drop the whole pretense and just talk about things like normal human beings, in odd moments here and there. Pretty good exploration of their background and what they're trying to do, not just fan service, although there's plenty of that too. Came away feeling like they're actually pretty decent showmen and visual artists, or at least, visual stylists, and personally maybe a hair less vacantly pretentious than I thought.

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The Girl Who Got Away

Reasonably well made but overlong and very slowly paced suspense thriller, something of a throwback to "When A Stranger Calls" or "The Serpent And The Rainbow"—two older, surprisingly talky ostensible 'horror' films that were marketed as being much more exciting than they actually were. And "When A Stranger Calls" had better character study, although this one tries.

I wouldn't mind movies like this if they didn't try to present them as horror films. Even so, this kind of moves along at a snail's pace, much more talk than plot.

Movie Reviews » Just, Don't

Bucky Larsen: Born To Be A Star

Typically stupid, over-broad Adam Sandler/Farrelly Brothers-type fare for people who find dick jokes, fart jokes, and people getting hit with semen funny, with unredeeming cameos from such comedy non-phenomenons as Kevin Nealon and Pauly Shore. If you think the idea of Nick Swardson as a adult-who-acts-like-a-child getting an Adult Video Awards award for "best taint" is hilarious, you are this movie's target audience. Just keep me out of it.

Christina Ricci is appealing in it, though. She can play a sunny disposition surprisingly well.

Movie Reviews » Honorable Mention

The Wave (2019)

Playing like a combination of After Hours, Office Space, Altered States, and just a touch of Donnie Darko, this movie has Justin Long in an unusually frenetic variation of his usual nebbishy character, as an amoral and mercenary low-level lawyer for a big insurance firm, who goes to the wrong party, meets the wrong guy, and gets fed a mysterious hallucinogen that abruptly unmoors him in time and space during the most important day of his adult life, sending him careening back and forth across the paths of comically disreputable characters and friends and loved ones who no longer trust him.

It could have gone so wrong, and ultimately fallen apart, relied on contrived strangeness instead of story. But, it doesn't! Even though the film eventually fails to keep from telegraphing where it's going, it manages to balance out what could have turned into self-indulgent weirdness for it's own…

Movie Reviews » Different, At Least

I Saw The TV Glow

A really interesting failure for sure. A cinematically beautiful fantasy/horror film that seems like it's going to successfully hover just barely on the right side of the line between interesting and pretentious indie artsiness, as it follows the lives at several different people between adolescence on young adulthood of a pair of outcasts who are fans of a surreal children's show called "The Pink Opaque", which may or may not be leaving the screen and affecting their lives.

I say "may or may not" not to be mysterious, but because the plot unfortunately falls apart in the third act and just succumbs to overproduced indie pretentiousness, and I really don't know what happens. Which is a shame, because it's pretty well done before that, and visually very nice to watch throughout.

I would really like to put this under "Je Nais Se Quois" because it really seems for…

Movie Reviews » Just, Don't

In Furs

Incomprehensible home-movie-quality attempt at some sort of horror. Guy does drugs and freaks out or hallucinates or something. No acting, lighting, or talent to be found anywhere near this endeavor. Thankfully only an hour long.

Movie Reviews » WAY too indie

Sunset On The River Styx

Morose slackers in LA morosely slack around, until somewhere in the middle of a bunch of jump cuts and editing effects it turns out to be about a suicide cult or alternate realities or vampires or something?

Movie Reviews » Turned it off

Let’s Dream

Nicely atmospheric but pretentious and dreadfully slow film. I can't even tell you what it's about. It opens with a man saying he hasn't slept since he was 7 years old, but after that... so slow, I couldn't focus on it. I think maybe it's supposed to be artistic?

I lasted about an hour before I felt like watching a movie.

Movie Reviews » "Found Footage" crap

Spree

My favorite thing: a "horror movie" about a social media "influencer", shown entirely through phone screen views and security cameras. Psychotic influencer and rideshare driver (another thing we never need another horror movie about) kills passengers in hopes of views.

Weird one, though: a lot of famous faces, including that likeable guy from "Stranger Things" with the rectangular face, Mischa Barton, SNL's Sasheer Zamata and Mikey Day. Decently well-made for what it is. And rectangular-face-guy, as the psycho, does such a convincing job of being a shallow, annoying "influencer" that he's totally believable. The annoyingness is real!

This is like Hollywood's idea of "twisted enough to be cool"—hits all the numbers and hits them well, yet, is fake and shallow enough to fail to satisfy, and doesn't go far enough to actually be shocking. It's like the whole movie is in ironic scare quotes. Which may be the point.…

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11th Hour Cleaning

Almost-watchable but very cliche'd haunted house flick about a crime scene cleaning crew trapped in a hallucinatory haunted house by a vengeful Norse demon or something. "Oculus" did it the hallucinatory haunted house thing better.

Movie Reviews » Bad but I liked it

The Dead Guy

Weirdly charming zero-budget amateur "horror" in which an FBI agent with the power to talk to the dead spends the whole movie talking to the dead and literally doing nothing else. Seems like a likeable guy, though.

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The Dark Tower

I have a certain odd affection for this widely-panned cosmic fantasy riff on Stephen King's "The Dark Tower"... or, parts of it, anyway. It's got decent acting, with Idriss Elba and Matthew McConnaughey as the good and (very) bad guys, and a couple of passing scenes are decently well done. It sort of loses its way en route to wanting to be the beginning of a hugh, cosmic fantasy/action franchise, and the story gets a bit flabby, but still, it's got its moments. I don't understand why it was panned quite as badly as it was. McConnaughey doesn't play bad guys very often and he pulls it off here.

Movie Reviews » watchable

Chappie

Sci-fi-ish action/adventure supposedly starring Hugh Jackman and Sigourney Weaver, but actually, it's Die Antwoord steals "Robocop" and does about what you'd expect with him. No, really, it's actually them, playing themselves. It was kind of fun, better than I expected.

Movie Reviews » Je nais se quois

Mona Lisa And The Blood Moon

Sort of a fun horror/fantasy/crime thriller about an escaped mental patient with mind control powers on the run from the law among strippers and drug dealers in the seedy underbelly of New Orleans. Stars Craig Robinson as the lead cop, refreshingly actually playing a role, and not just himself. Nice to see that.

Movie Reviews » Je nais se quois

Dead Like Me (TV series)

Fun magical-realist series about an 18-year-old girl struck down by satellite debris falling from space who joins a team of "reapers", undead people tasked with helping doomed souls depart their bodies painlessly before death. Oh, she also works at a temp agency by day. And the "reapers" hang out at a restaurant called "Der Waffle Haus". It's kinda fun. Created by Bryan Fuller, who also made similar short-lived but fun magical-realist shows "Pushing Daisies" and "Wonderfalls". Plus has Mandy Patinkin, who I always like, as the boss of the reaper team.

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Latency

Slickly-produced but not terribly interesting sci-fi in which a gorgeous agoraphobic gamer gets a headset that allows her to control the computer with her mind and it turns her reality inside out, or something.

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Rejuvenation

Slightly-better-than-TV-movie-quality sci-fi thriller about a college athlete sent to recover from drug addiction at a facility where the doctors are performing evil deeds on the patients. A likeable cast keeps it somewhat watchable but other than that, meh.

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Envision

Zero-budget, zero-production-values indie supposedly sci-fi flick about a guy who gets some sort of visual implants that cause him to see things, which results in him and his friends spending an entire movie sitting around talking.

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Boy Makes Girl

Another relationship movie in drag as sci-fi... Tubi must be lining these up on purpose. In this case, an autistic coder with severe social problems builds a girlfriend, teaches her to be real, then fails to keep her.

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The Pod Generation

A relationship movie in sci-fi drag. In a future world where corporations and artificial technology have intruded into every facet of life, women have babies gestate in artificial "pods" owned by a greasy company. In this scenario, a woman decides to have a baby, the couple goes through couple tensions, and in a climactic moment: the baby is born!

Well made but I didn't find it compelling.

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28 Weeks Later

This technically well-made sequel to the astoundingly good "28 Days Later" is technically well made, but adding fairly respectable stars like Rose Byrne and Idriss Elba, and even the production assistance of the original movie's creative team Danny Boyle and Alex Garland, isn't sufficient to make up for the fact that it has very big shoes to fill, and for the most part, abdicates completely, attempting to substitute punchy direction and action sequences for punchy direction and a well-written, well-told story.

So, not bad, but it's kind of like seeing your favorite team come back from winning the World Series to play, you know, alright.

Movie Reviews » Je nais se quois

Inmate Zero

Surprisingly solid zombie action thriller about a zombie outbreak in a prison. With this clichéd title and that plot synopsis I expected total crap, but, surprise, it's a well-made, atmospheric, tense, fairly tightly made—if not particularly inventive—little splatterfest, more like "28 Days Later" in tone and production than "Return of The Living Dead". Completely lacks 28DL's epic scope and grand storytelling, but definitely feels like they took some cinematography lessons from Danny Boyle and learned well. Watchable if you're in the mood for this sort of thing. Might be a good date movie, if perhaps a little violent and explicitly gory for some.

Warning: panned badly on IMDB, 4.3 stars. I'm not sure why. It's not great by a long shot but it deserves better than that.

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Gehenna: Where Death Lives

People trapped in a subterranean Japanese WWII bunker in the Philippines become embroiled in supernatural drama as corpse-like people and the spirits of deceased loved ones start to appear. As mediocre as it gets, and with a twist that you can see coming from 20 minutes into the movie.

Movie Reviews » "Found Footage" crap

Devil’s Pass

Starts off like "The Blair Witch Project" meets the Dyatlov Pass Incident, before taking a hard sci-fi turn in the last act, after it's too late. Not terrible, but, meh. Also briefly mentions the Philadelphia Experiment, which, eh, not as creative is the writer probably thought it was, two cool conspiracy theories somehow add up to less than just one. Directed by Renny Harlin, known for such B fare as "Nightmare On Elm Street 4: Dream Warriors", "Die Hard 2: Die Harder", and "The Adventures of Ford Fairlane", but who's been at this long enough that he ought to aim higher. Actually probably on the better end of "found footage" stuff in that it's not total crap, but, dunno. Wouldn't go out of my way to see it, for sure.

Movie Reviews » Canadian

Man Vs

Unremarkable but reasonably entertaining younger cousin to "Predator" benefits from that little touch of Canadian production quality, which, as usual, means it's ever-so-slightly better than it should have been.

Mostly a one man show, as a host of a survival show gets dropped off for 5 days in the northern Ontario wilderness to survive on his own, filming it for his show, as it becomes apparent he's not alone.

Not a great movie by any stretch, and slightly predictable, but benefits a little bit from what it's not: it's not an annoying first-person shooter, they didn't show the monster too early or for too long. Both good decisions that too many filmmakers wouldn't have made that keep it a little more watchable than it would have been otherwise.

Movie Reviews » watchable

Saturday Night Fever

A better movie than you might think considering the best known thing about it is the genre-defining disco soundtrack. John Travolta as a Brooklyn teenager in the '70s who loves going to the disco. More of a character-driven, slice-of-life movie than it gets credit for being. Most strangely, for example, the dancing, featured heavily in the first two acts, doesn't go on to be the film's emotional center, and, refreshingly for the modern viewer, it doesn't end with him winning a big dance contest.

I'm not saying I'd go out of my way to see it, but a lot of critics liked it, and I get that. It's two hours long, and it passes quickly, it's a pretty tight piece of filmmaking.

It probably helps that it's been long enough that we're all thoroughly calloused to how bad disco sucks.

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The IT Crowd (TV series)

Reasonably humorous Britcom about geeks in a corporate IT department. First season kind of slow but eventually it gets a little funnier. Ok if you need some occasionally entertaining background noise.