Weirdly ok bad movie about a small town besieged by supernatural occurrences after a particle collider opens up a portal to hell or some such. Pretty terribly written and meandering, the story is a mess, but kind of weirdly ok in terms of production or something. It had that sort of "this is terrible, but it's kinda good" thing in a way that made me think maybe it was a H.P. Lovecraft story, as a lot of those seem to somehow turn out strangely a little bit kinda good in a weird way. Has a cameo by Jamie Kennedy, the patron saint of bad movies that are strangely a little bit kinda good in a weird way. Not that I'd recommend you watch it or anything. But, uh, I kinda didn't mind it?

Unremarkable, fairly color-by-numbers captivity flick as redneck junkyard owner holds women captive in an underground cell. Ends with everything blowing up. Yawn. Weirdly, has some familiar faces like Brad Dourif, Vivica A. Fox, and John Kapelos (yes, you do know him, he was the janitor in "The Breakfast Club") Not like this is terrible, but in a world where we have "Silence of The Lambs" this doesn't even qualify as sub-mediocre. I wonder how they got name actors to appear in something so unremarkable.

Hint: good horror movies don't need to start their title with "Stephen King's".

Rather scattered supernatural tale about a father dealing with his severely autistic daughter, who is apparently channeling his dead wife, or something.

Reasonably watchable Canadian fantasy/drama series, probably aimed at teens or young adults. A young woman encounters a mysterious "therapist" who sends her back in time every episode to reconcile regrets from her life. It's fun enough, nothing great, but a little different and the cast is likeable, even when the later series tend towards the "we've run out of ideas" phase of making every story about relationships, who loves who, who's marrying who, who's having a baby, etc.

One nice thing, the series ended after 4 seasons, not because it was cancelled, but because they were at a good stopping point and felt the story had been told. That's the kind of slightly-above-average judgment that made it a slightly-above-average series.

Vaguely watchable southern gothic. Strange events surround two kids after they are rescued from playing in an abandoned mineshaft. Just on the good side of mediocre.

Decent if somewhat slow British supernatural drama about a doctor who becomes convinced a young boy she is treating can control reality.

Anthology of mostly British horror shorts. One terrible, a few alright, none great.

Reasonably well made but overlong and very slowly paced suspense thriller, something of a throwback to "When A Stranger Calls" or "The Serpent And The Rainbow"—two older, surprisingly talky ostensible 'horror' films that were marketed as being much more exciting than they actually were. And "When A Stranger Calls" had better character study, although this one tries.

I wouldn't mind movies like this if they didn't try to present them as horror films. Even so, this kind of moves along at a snail's pace, much more talk than plot.

I couldn't follow it. Amateur movie. Some guy who seems like he's from Brooklyn has grisly nightmares, not much happens.

Moderately amusing 1988 Eddie Murphy vehicle in which he plays an African prince who comes to America. He wins the girl in the end.

Almost-watchable but very cliche'd haunted house flick about a crime scene cleaning crew trapped in a hallucinatory haunted house by a vengeful Norse demon or something. "Oculus" did it the hallucinatory haunted house thing better.

I have a certain odd affection for this widely-panned cosmic fantasy riff on Stephen King's "The Dark Tower"... or, parts of it, anyway. It's got decent acting, with Idriss Elba and Matthew McConnaughey as the good and (very) bad guys, and a couple of passing scenes are decently well done. It sort of loses its way en route to wanting to be the beginning of a hugh, cosmic fantasy/action franchise, and the story gets a bit flabby, but still, it's got its moments. I don't understand why it was panned quite as badly as it was. McConnaughey doesn't play bad guys very often and he pulls it off here.