The Mount 2
Quadrant
Soft Liquid Center
The Whisperer In Darkness
The Trip (2023)
Stupid Games
The Screaming Silent
The Haunting of Pearson Place
Network
This is my favorite movie, full stop.
I love this movie so much, am so close to it, I don't know what to say. It's like trying to write a summary of a beloved life-long friend.
This movie about the intersection of power, economics, and media, explored through a tale about the mental breakdown of a news anchor and the paradox of his resulting rise in ratings. It predicted, in 1976, so many things that we didn't see in reality until much later: the forces of economic globalization, the rise of "reality television", the commercial subversion of TV news (still, it may be hard to remember now, valued as a source of objective information at the time) from a reporting concern into a driver of profits and propaganda outlet—and takes them all to a ridiculous extreme, plus, casts a woman in the role of a cutthroat executive, something my…
Resolution
Score one for AI. This small indie film has haunted me for years, as I forgot to review it when I watched it, until tonight I typed one image I vividly remembered as well as a few other details into ChatGPT and asked what film it was from, and after one wildly wrong try, it got it right.
This is a small indie horror flick that stuck with me just for being really weird. A man meets his drug addict friend out at a remote cabin the friend is squatting in, and chains the friend up, forcing him to spend a week going cold turkey. Strange encounters with other drug addicts, local security, and a team of foreign researchers there doing psychedelics begin to occur and they find films and videos that change with each viewing, and what is initially assumed to be haunted land turns out to be…
You’re Next
[reviewed on IMDB] Summary: Pointless, gratuitous scenes of "plot porn" totally ruin 90 good minutes of people being murdered.
This movie is well-produced, well acted, extremely realistic in its gore and violence. Unfortunately, I have to give it only one star because about for almost whole 10 minutes at the beginning, and again near the end of the movie, they stop showing people getting murdered, to waste time bogging it down with some throwaway backstory or reason for the murders, or something, completely from out of left field. I'm not sure... it was people talking, not characters getting stabbed in the eye or having a blender forced down onto the top of their head, so I couldn't sustain any attention to it.
In what universe are moviegoers actually entertained by a murderer SAYING WHY they kill people? Are there really people out there who sit and watch scenes of…
Breaking The Waves
My favorite film by my favorite director.
Wait, ok. A little virtue-signalling never hurt anyone, so I'll point out: From everything I've read and seen, director Lars von Trier seems to me like kind of a disturbed or unbalanced individual, very likely a misogynist, misanthrope, almost definitely a narcissist, and probably personally an all-around malignant asshole. And also, I think, easily the most talented filmmaker of the last few decades. Not since Herzog or Tarkovsky have I seen someone who just struck me as so adept in the language of filmmaking, such a natural talent.
Breaking The Waves is a straight drama. Set on a remote Scottish island, where an American there working on an oil right has fallen in love with a local, who is a member of the island's ultra-religious church. They marry, when he is injured in an explosion on the rig, and their relationship takes…
Let The Right One In (2008 Swedish film)
I consider this film about a young boy who forms a friendship with centuries-old vampire who looks like a 12-year-old girl to be maybe one of the top 10 horror movies ever. This is one of those films like The Exorcist, The Omen, or The Shining where a talented director took on supernatural material, and made, not just a great horror movie, but a great movie, along the way telling a brand new story about familiar monsters without relying on cliche. (It may also be that three of the four movies mentioned were based on acclaimed novels.)
It was originally recommended that I watch this with the original swedish soundtrack and English subtitles, and not use the terrible English audio overdubbing job, and though I don't like subtitled movies in this case it proved to be good advice.
Two years later the novel was remade for American audience and…
The Last Man On Earth (1964 movie)
I can't say this obscure 1964 Vincent Price is a truly great movie but it will always have a very special place in my heart. Unlike some of my most esteemed favorites, I wouldn't say it's can't-miss, but at one point Price himself said this was his favorite of all his movies, and George Romero openly cited it as the direct inspiration for founding father of the zombie genre "Night Of The Living Dead" (bet you didn't know there was a "founding grandfather" movie of that genre. "The Last Man On Earth" made it alllllll possible.)
This was based loosely on the 1954 novel "I Am Legend" by Richard Matheson. That's the same "I Am Legend" that "The Omega Man" (with Charlton Heston) and Will Smith's much later action movie were based on.
(This is worth a side note here: Richard Matheson's is a name anyone with more than…
Ex Machina
I adore this movie. Well done, old-school humanist, character-driven sci fi. There's like three characters in the whole movie, a lot of talk and very little action, qualities some other quiet "thrillers" I'm particularly fond of (such as The Vast Of Night and The Invitation) share, when they're well-made enough to carry it along on that.
In this, a programmer wins a chance to spend a few days with the reclusive head of his company in his isolated retreat, where it turns out he has built an artificial (and, in some lovely FX work, visually clearly robotic, except for the face) woman. The programmer has been called there to interact with her and determine whether he feels she is genuinely conscious and intelligent. That short synopsis doesn't really do it justice, but to say more would be to rob anyone reading of the experience…
Nathan For You [tv show]
A huge favorite of mine. Nathan Fielder is a "business expert" who comes up with hilarious, incredibly ludicrous, far-fetched ideas to save struggling businesses in this unscripted, quasi-"reality" show.
Just one example off the top of my head: a struggling appliance store is being run out of business by a nearby major chain store. When the chain store advertises that they'll match any advertised price, Fielder advises the appliance store owner to start advertising a certain TV for $1. Then, he'll send people over to buy out that TV from the chain store for $1, and when they're out of stock, his client can raise the price again and resell them in his own store for full price, a 100% profit.
In the kind of complication the show specialized in, somebody noticed that if he advertised the TV for $1, someone might come in and try to buy it for…
Man Seeking Woman [tv show]
I loved this show.
Jay Baruchel, Eric Andre, and the ridiculously likable Britt Lower in a magical-realist take on dating. If you've ever gone to a party and discovered your recent ex is there with her new boyfriend, and, he's literally Adolph Hitler, and, everyone at the party likes him more than you... then you should be able to relate to this.
It had all the monsters and magic of dating made literal, and, played them with a completely straight face. It was three seasons of deadpan humor, mixed with surreal, sci-fi, and fantasy elements. And I enjoyed it immensely.
Touching The Void
What can I say about "Touching The Void"? I'm a sucker for a good survival story, and "Touching The Void" is one of the best of them. It's a true story, the film interspersing dramatizations of real events with interviews with the actual survivors, which is a tactic I ordinarily don't like very much but here is applied to such an incredible true tale that I have no problem with it.
Two mountaineers are climbing in the remote Andes, thirteen miles over rough glacial moraine from their remote base camp, when a storm sets in. Tethered together by a rope, one slips, and dangles over a sheer cliff, suspended hundreds of feet in the air. The other climber, unable to gain secure enough footing to pull him back up, is instead slowly being pulled down towards the edge by the weight. Knowing that if he goes over they will…
Shortbus
OK. Let's forget about sexually explicit content for a moment. You've got 400 other reviews you can read about the sex in.
Let's get one thing straight right off the bat: John Cameron Mitchell is a very good filmmaker. Hedwig And The Angry Inch was very well made, and Shortbus is very well made. This is why I gave this movie 6 stars - it was enjoyable to watch on the level of very well-made cinema. He's clearly done his homework - this film reeks of "best student in his film school class". Despite how that sounds, I mean it in a good way. The actors, including the 'local color' cast to play themselves, also give very good performances all around.
Some of the characters and situations in Shortbus do have a few nice subtle touches, but then, all to often, it is ruined by having them go and behave…
Found (2012)
[posted to IMDB, http://www.imdb.com/title/tt2149360/]
I just got floored by this movie. I can only assume the low rating is because so many horror fans have absolutely terrible taste in movies.
This is the kind of low-budget miracle that often lacks a lot—the acting is spotty, the effects aren't great, the pacing is awkward—but somehow manages to make up for it with heart, with an original idea, with a strong, strangely evocative narrative. This film is Decadent, in the aesthetic sense of the word. Like some of Baudelaire's best poems, its imagery and narrative are truly horrible, and in fact it's extremely gory, but somehow it manages to say something new and somehow very darkly beautiful. It helps that the emphasis is not on scares, but rather on telling a story.
In that way, it reminds me very much of "The Hamiltons", another super-low-budget, kind…
Isolation (2011)
Med student wakes up in a hospital room with no memory of how she got there. Somewhat entertaining thriller, especially because it goes further in depth into the villain, and continues the plot past the obvious "easy" endpoint, than most movies of this type.
The Inside
[originally reviewed on IMDB at https://www.imdb.com/review/rw3321049/?ref_=tturv_perm_8]
I just got blown away by this movie.
Yes, by conventional film standards, it sucks: almost no story, no narrative arc, almost no dialog for the second half, nothing is ever explained, it's entirely full of insipid depthless characters who are either brutally loathesome (most of the men) or spend a hell of a lot of time doing nothing but wandering through a darkened building whimpering and screaming (most of the females), it spends too much time indulging itself in banal torture porn conventions without going anywhere. I don't even think many of the characters had names. It doesn't even have a trace of the pretentious art-house conventions some films stoop to in order to try to justify the obvious lack of conventional movie-making skill.
And yet, I loved it. I was floored and genuinely scared watching it. I will definitely…
Super
Much less lighthearted than it initially appears, ultimately a very dark and realist tragicomedy about the kind of psychopath who might try to become a real-life superhero, and what really might happen. Ultimately kind of flawed, but it's hard to dislike Rainn Wilson and Ellen Page no matter what kind of craziness they get up to.
For the first few scenes I really thought it was going to suck, the acting was just terrible and the characters paper-thin, and ridiculously clean-cut, preppie-looking character Russell supposed to be some sort of scary mad-dog psychopath.
And then something magic happened, and with every scene it got better and better, until by the end I was really impressed and really enjoyed it without reservation. I wouldn't call it a great film, it's definitely got its amateurish flaws, but I'd give it a very, very solid B+, way better than a lot of first…
Blood Punch
Continuing the tradition of flawed but interesting films that can be found on Hulu. Two cooking up meth in the woods get caught in a time loop when her psychotic boyfriend shows up. This film desperately wants to be a cult favorite, starts off like it's going to be standard USA Up All Night-quality fare, and gets better and better with each scene, wrapping up in an original and unexpected but satisfying way.
Carnage Park
Of course the lone hick has tunnels and a torture dungeon under his backcountry cabin. Set in the desert this time. With the likeable girl from "An American Haunting", I think, who looks like a young version of my aunt Muriel.
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An American Terror
Of course the lone hick has tunnels and a torture dungeon under his junkyard trailer. Kids planning the next columbine cross paths with him to a post-punk soundtrack. Stylish enough, I suppose, with a few inventive elements for what it is.
Chained
Strangely underappreciated, moody film focusing on the human elements, rather than the violent ones, of the relationship between a child and the serial killer abductor raising him as his own in captivity in a remove farmhouse. Directed by the same woman as Jennifer's Body, another film I thought, while not great, was a cut above the usual fare.