Honorable Mention

Playing like a combination of After Hours, Office Space, Altered States, and just a touch of Donnie Darko, this movie has Justin Long in an unusually frenetic variation of his usual nebbishy character, as an amoral and mercenary low-level lawyer for a big insurance firm, who goes to the wrong party, meets the wrong guy, and gets fed a mysterious hallucinogen that abruptly unmoors him in time and space during the most important day of his adult life, sending him careening back and forth across the paths of comically disreputable characters and friends and loved ones who no longer trust him.

It could have gone so wrong, and ultimately fallen apart, relied on contrived strangeness instead of story. But, it doesn't! Even though the film eventually fails to keep from telegraphing where it's going, it manages to balance out what could have turned into self-indulgent weirdness for it's own…

If this isn't a cult favorite, it really should be. Pitch-black, occasionally very gory, but surprisingly fun indie flick about a down-on-their-luck punk rock band who hire a genial homeless guy to roadie for their tour so they can use his van after theirs is repossesed, but he turns out to be a flesh-eating demon.

There's absolutely no reason this movie should be as fun as it is, and yet, somehow, it is. Kind of a low-key standout for me, along the lines of other obscure indie faves like "Otis" and "The Signal" (2007) (which, BTW, the actor who plays the homeless guy/demon was in the art department for, so that's a fun connection.)

Truly harrowing story about the buildup to and aftermath of a nuclear strike on Sheffield, England, following the intertwined lives of several people caught in the attack. This unflinchingly grim take on the short, medium, and eventual long-term personal and social toll of a nuclear strike was, incredibly, originally a TV movie. Like "Testament", another movie on a similar theme that I often mention in the same breath, it is absolutely unsparing. It's a very rough watch but an undeniable classic, and order of magnitude better movie than the contrived, soap-operatic pseudo-relevant "The Day After".

I'm writing this quite some time after last having seen it as I've just realized I somehow have never reviewed it. This movie is a pretty big favorite of mine. I'm not sure I can put it up with my very biggest favorites, but it's damn close.

This was a good one, could be a spooky low-key modern gothic horror classic. Effectively creepy and atmospheric all the way through in the best manner of well-done horror. A man is hired to spend a few days as caretaker for a mentally ill woman sequestered in a remote island home. Upon arriving, he is chained in a harness ostensibly to prevent him from being able to wander into certain parts of the house. The young woman is alternately completely catatonic, and up wandering the house menacingly with a crossbow. There may be something in the walls.

More about mood than scares or gore, although make no mistake, this is genuinely a horror movie, and if you ask me, it's the way horror should be done... creepy and tense enough to be a date movie, but well-made enough to stand as an actual film, not a cheapo genre exercise.…

Les Blank's truly memorable documentary about the making of Werner Herzog's excellent "Fitzcarraldo", a historical adventure drama about an early-20th-century entrepreneur seeking access to rubber trees in the Andes who organizes having a 300 ton steamboat carried over a mountain. As part of making the movie, they actually did carry the steamboat over the mountain, with documentarians along the way collecting footage of the unbelievably nihilist, dour Herzog, the erratic rages of leading man Klaus Kinski, and more. One of those rare times, along with "Hearts of Darkness", that a "making of" documentary stands as a great movie in it's own right.

Contains the famous monologue from Herzog that is often quoted as being particularly illustrative of his character. Standing in the Andean forest, he says to Blank: "Taking a close look at what is around us, there is some sort of a harmony. It is the harmony…

For the Apocalypse Now fan: the "making of" documentary about the incredibly chaotic process that somehow yielded that masterpiece. And the documentary is nearly as powerful as the film. It's a miracle that movie even got made.

It just struck me that I've never posted a review of this perennial favorite of mine. It took 25 years, until this movie, for Sam Raimi to redeem himself to me for the execrable "Evil Dead", but redeem himself he did.

The story is of a young woman cursed by a gypsy to be, well, dragged to hell.

What works here is the production, the story telling. This is an expertly-made movie: aware of the cheezy conventions of Hollywood horror, and self-aware enough to know it's not "The Exorcist", it knowingly embraces what it is, occasionally using outright fake-looking practical effects... not all that different, I suppose from how David Lynch's fake bird didn't detract too badly from the surreal "Blue Velvet", and in this case even less disturbing since the plot is so fantasy-based already. And then, just to show you that's intentional, Raimi spices it up with enough…

Nothing tooo terribly special, but this is a fun little black comedy about a professor, stressed about trying to qualify for tenure, whose whole life spirals into bad intrigue when he's falsely accused of an affair with a student and then accidentally runs over her boyfriend. Overall, better done than most things like this, despite some moments that strain credulity. It unfolds almost like a Coen Brothers castoff script, but I mean that in a good way. It punches above its weight and largely succeeds at that. I watched "The Hudsucker Proxy" the other day, and while that's obviously a much more polished movie, I enjoyed this one's story and dark comedy more. The cast of unknown actors is well up to snuff, too.

Extremely decent zombie movie, the way they should be done. An American mercenary survives the crash of the last place out of Africa, and must walk across the zombie-infested savannah to safety.

One of the most realistic zombie movies I've ever seen. Almost no dialogue. A little action but not much. Just a soldier, and for a little while a companion he meets, mostly just walking or camping, surviving and outsmarting the roaming zombies as they need to. And, turns you, in a zombie movie, you don't actually need much more than that. No attempts at humor. No attempts to be clever or cool. Just a solid, down-to-earth survival movie, that happens to be set in a zombie acopalypse.

I liked it. I imagine I'll watch this again in the future.

WOW. Here we have something special.

Ok, wait, let me qualify that.

For starters, let me say: my first impression was, most people will hate this movie. Reading up on it afterwards, as is my habit when a movie really interests me, I discovered, yes, sure, enough, everybody hated it. Not just disliked it, I mean REALLY hated it.

I was blown away by it, loved almost every minute of it.

This is a very flawed and totally amateurish movie for sure—but, here's the rub: "Night Of The Living Dead", "Eraserhead", and most of David Cronenberg's classic films were flawed, very amateurish movies. Like them, this to me is the work of an extremely skilled amateur savant, someone with absolutely no understanding of most of the conventions of storytelling, and an absolutely brilliant intuitive feel for the camera and the editing desk.

This is a movie for deep, deep…

I have no idea how this comedy series isn't considered a classic. This road trip family comedy ran for 6 seasons and I'm just totally fond of it, I found it incredibly funny. Every season has a framing device of the family trying to explain their misadventures to some authority figure, and features them getting, well, detoured as they try to get from point A to point B. It's hard to know what to say about it beyond that, but—just watch an episode or two, and if you like it, it stays that funny for four seasons.