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Med student wakes up in a hospital room with no memory of how she got there. Somewhat entertaining thriller, especially because it goes further in depth into the villain, and continues the plot past the obvious "easy" endpoint, than most movies of this type.
Yes, by conventional film standards, it sucks: almost no story, no narrative arc, almost no dialog for the second half, nothing is ever explained, it's entirely full of insipid depthless characters who are either brutally loathesome (most of the men) or spend a hell of a lot of time doing nothing but wandering through a darkened building whimpering and screaming (most of the females), it spends too much time indulging itself in banal torture porn conventions without going anywhere. I don't even think many of the characters had names. It doesn't even have a trace of the pretentious art-house conventions some films stoop to in order to try to justify the obvious lack of conventional movie-making skill.
And yet, I loved it. I was floored and genuinely scared watching it. I will definitely…
Much less lighthearted than it initially appears, ultimately a very dark and realist tragicomedy about the kind of psychopath who might try to become a real-life superhero, and what really might happen. Ultimately kind of flawed, but it's hard to dislike Rainn Wilson and Ellen Page no matter what kind of craziness they get up to.
For the first few scenes I really thought it was going to suck, the acting was just terrible and the characters paper-thin, and ridiculously clean-cut, preppie-looking character Russell supposed to be some sort of scary mad-dog psychopath.
And then something magic happened, and with every scene it got better and better, until by the end I was really impressed and really enjoyed it without reservation. I wouldn't call it a great film, it's definitely got its amateurish flaws, but I'd give it a very, very solid B+, way better than a lot of first…
Continuing the tradition of flawed but interesting films that can be found on Hulu. Two cooking up meth in the woods get caught in a time loop when her psychotic boyfriend shows up. This film desperately wants to be a cult favorite, starts off like it's going to be standard USA Up All Night-quality fare, and gets better and better with each scene, wrapping up in an original and unexpected but satisfying way.
Of course the lone hick has tunnels and a torture dungeon under his backcountry cabin. Set in the desert this time. With the likeable girl from "An American Haunting", I think, who looks like a young version of my aunt Muriel. ---
Of course the lone hick has tunnels and a torture dungeon under his junkyard trailer. Kids planning the next columbine cross paths with him to a post-punk soundtrack. Stylish enough, I suppose, with a few inventive elements for what it is.
Strangely underappreciated, moody film focusing on the human elements, rather than the violent ones, of the relationship between a child and the serial killer abductor raising him as his own in captivity in a remove farmhouse. Directed by the same woman as Jennifer's Body, another film I thought, while not great, was a cut above the usual fare.
Mexicans crossing illegally into the united states are abducted and subjected to the world's cheeziest brainwashing experiment, and the only one being conducted by Creed from "The Office".
Not a bad one. That guy who was one of the McPoyle Brothers who's everywhere now goes to his country home and gets tormented for past crimes by a cover of witches. It's still "Into The Dark", but it's an ok one, with exceptional costume design.
This post-Tarantino crime drama-to-zombie alien horror flick-to-crime drama is as amateurish and crappy as it gets, total grade-Z, but miraculously is saved by the raw charisma of pretty much *everybody* in it. It's like they got the most charismatic Z-grade actors in the entire country all together for one shitty film. Surprised Linnea Quigley isn’t in it, if that gives you any idea.
Here we have a rare beast: for Long Weekend, both the 1978 original and the 2008 remake starring Jim Cavaziel (distributed in America with the title "Nature's Grave") are both worth seeing. They're good in different ways. I might prefer the original but thanks to capable horror direction the remake has some memorably chilling moments.
Anyway, the story is the same in both: a crass suburban couple goes camping on a remote beach in Australia, and things just go wrong. To say more would spoil it. A big favorite of mine and a pretty one-of-a-kind film, in both versions.
I've since gotten the sense that the 1978 original of this isn't revered as a minor classic, but I'm not sure why. We live in a world where everybody has heard of "Last House On The Left" and "I Spit On Your Grave", both of which came out in the…
Comedy. Hilarious satire of the "evil rednecks massacre gorgeous kids in the woods" genre, told from the actually good-hearted rednecks' point of view.
Something about english girls and UFOs. Kind of slid past my brain. Possibly the lowest production values of any movie I've seen. I think these girls were like, "What do you want to do this weekend?" "Hey, let's make a movie!" "Great idea! I'll go to the art supply store and get some stuf!" Seriously. Doesn't appear to be lit or edited, just kind of shot as-is in the house where they were.
Sort of typical of how Hulu has a lot of horror movies that are not necessarily that good, but nonetheless interesting. Despite the cliched title, a fairly original spin on the "things go wrong for vacationers on the road out in desolate area" thriller genre, as 4 australians kids in the outback encounter a really bad truck. What looks like it's going to be a slasher film doesn't become one, as there's no slasher. Never-quite-explained supernatural hijinx ensue.
WOW. Won film festival prizes. Tarkovsky meets Cronenberg. Very slow moving, horror without scares. Focuses on characters, 70's-ish in the same way Beyond The Black Rainbow was. Scientist finally finds 20 year old girl he genetically engineered to have narcotic blood, rescues her from junkie former scientists holding her captive for her blood.
I like it. A very decent captivity/desperation film about a schizophrenic teenager keeping his siblings and babysitter captive in the bathroom while their parents are away.
you knew somebody was eventually going to make a movie that justified the use of the first person camera perspective. This is the one. Evil kids destroy their family, As seen through the family's home movies. Not exactly what I'd call a "serious" horror film, but entertaining.
A personal fave. More of a horror comedy than a horror film, but twisted and bizarre enough to be real fun. A kid, a serial killer, a halloween mask, a case of mistaken identity, what more do you need?
A pleasant surprise. One of those rare movies that starts really lame and completely redeems itself by the end, provided you can take some amusement from the totally unexpected over-the-topness of it. First-person shooter in which the "never stop filming!" film crew is crass Americans that goes to a remote rural Eastern European village, pisses off superstitious locals by accidentally filming a funeral, and engages in some incredibly heavy handed foreshadowing before getting themselves stuck out in the woods to get picked off — and yet, somehow, rather than collapsing under the weight of almost more clichés than you could possibly fit into one uninspired seeming movie, the whole thing takes off into unexpected the territory with such a beautifully over-the-top SFX blowout that I think I said "wow" more than once out loud. Special-effects so good that you'll want to see it on video see you can pause it…
Simply put, the worst movie ever made, and not in that spectacular way that might be worth seeing just for the awfulness. Psycho girl played by an actress who appears never to have acted before or during filming is terrorized by a ramekin (a kind of pastry cup). Seemed like somebody's high school project. Maybe middle school.
pretentious, nonsensical, overstylized black and white crap. Hipster girl watches haunted house in Brooklyn, bring a guy home, inexplicably kills her then goes insane. Dull. (Much later note: Yes, I realize on re-read that this review doesn’t entirely make sense. Trust me, it doesn’t matter.)
Captivity werewolf flick, but sort of a cut above, a little. People trapped on a derailed train in the English countryside in a new take on the werewolf tale from the creator of The Descent.
As might be suggested by that last bit, good direction makes it overall slightly better than it might have been... Actually very decent for what it is, fairly well-done and original for a monster movie, I liked it.
Not an A, definitely a 'B' picture, but kind of a 'B+' one. Pretty grisly, but a movie like this kind of needs to be.
It's an American Gothic about researchers trying to retrace the steps of a NH community that walked off en masse into the wilderness in the 1940s, and slowly losing their minds in the woods themselves. And that's really about it.
It's a flawed gem, original, and really disturbed me, despite an unsatisfyingly, almost Lynchian-cryptic (in a bad way; think "Mulholland Drive", not "Eraserhead") ending. It has a low rating but extremely polarized reviews on IMDB, a lot of people either really hated or really loved it. I'd watch it again for sure, and years after having seen it, I can still vividly recall a lot of it, because so much of it just plain really got to me. We go to horror movies to be disturbed, and somehow this odd film disturbed me viscerally, in a way that films with a much…
All the cringeworthy, painful embarrassment* of 90210 and sheer greasy self-involved repugnance of Sex And The City. Halfway through the first episode I was gripped by a paralyzing fear that outside my life and your life, the world actually is really like this. (*until you add Chris O'Dowd. And then it actually exceeds the cringeworthy, painful embarrassment of 90210.)
Australian woman survives intrigue and lust on abandoned farm in post-zombie-apocalyptic drama with even fewer zombies than Here Alone. Drama, not a horror film.
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