Another vaguely quasi-entertaining "V/H/S" film. I will say that save for Blair Witch this may be the only first-person-shooter where it didn't grate on me within the first 15 minutes. A couple of mildly effective shorts in here, directed at least well enough for some jump scares: a film crew does a documentary of a cult on a day when they happen to be committing mass suicide and summoning the devil, a house full of kids has some extraterrestrial visitors, and, bonus points for the creative idea of a pretty stock zombie short, but with the main zombie being a cyclist who died with a running GoPro on his helmet, so the entire zombie attack is seen from a zombie's-eye-view.

Archaeologist looks for the Philosopher's Stone in forbidden parts of the Paris catacombs, finds something much worse than expected, in this rare non-execrable "found footage" film.. 10% Raiders Or The Lost Ark, 5% The Descent, 50% Blair Witch Project, but about 35% its own thing, which is pretty good for a movie like this. This had all the makings of a bad movie, first off by being a first-person shooter, but it's someone somewhere along the way knew a little too much about how to actually make a movie, and managed to fill it with enough cool style to make up for the thin substance... might be a good date movie. For a piece of trifle with almost no plot they actually managed to make it fairly gripping. Ending is sort of an anticlimax though... they go through their travails, then when the movie is long enough, the travails come…

A pleasant surprise. One of those rare movies that starts really lame and completely redeems itself by the end, provided you can take some amusement from the totally unexpected over-the-topness of it. First-person shooter in which the "never stop filming!" film crew is crass Americans that goes to a remote rural Eastern European village, pisses off superstitious locals by accidentally filming a funeral, and engages in some incredibly heavy handed foreshadowing before getting themselves stuck out in the woods to get picked off — and yet, somehow, rather than collapsing under the weight of almost more clichés than you could possibly fit into one uninspired seeming movie, the whole thing takes off into unexpected the territory with such a beautifully over-the-top SFX blowout that I think I said "wow" more than once out loud. Special-effects so good that you'll want to see it on video see you can pause it…