Imagine if an esteemed Pig Latin cinema auteur filmed a classic 1970s horror movie entirely in his native tongue.Then, imagine that I, at that time, had not been entirely preoccupied with my second-grade studies and unavailable to travel, and instead had left to see the world, eventually insinuating my 8-year-old self among the cream of the European progressive musical vanguard, from among whom I was plucked by that filmmaker, and tasked with composing a vintage electronic/progressive score to that movie.Now, imagine that this score was subsequently lost in legal limbo due to years of rights litigation, highly sought-after by bootleg collectors and attaining mythic status among film-music aficionados but otherwise languishing unreleased and unknown, until finally unearthed to see release as an official soundtrack album in the 2020s, with the now-decrepit 1970s tape masters given a pristine digital restoration, revealing heretofore unheard detail in the landmark effort that would have been most assuredly the highest-regarded avant-electronic 1970s progressive horror movie soundtrack to ever be created by an 8-year-old.These audio files are work-in-progress demos, finished but awaiting final production and mastering, for what will eventually be what that legendary soundtrack album, had it existed, would have been. English language liner notes (2020) click to closeIn 1976, an acclaimed Pig Latin filmmaker never made what would have been his sole career excursion into the horror genre, a terrifying supernatural thriller released internationally under the title “Ethay Eadday Illstay Eamscray” which would have been an instant classic and revolutionized horror movies for decades to come. Remaining unfilmed entirely in Pig Latin, this unmade genre milestone subsequently didn’t turn the simple child’s language game of Pig Latin from an amusement into a global symbol of fear, dread, and thrilling entertainment.Beyond the mere fact of the landmark horror film not having been made, also being in America at the time and entirely preoccupied with my studies in Mrs. Beekman’s 2nd grade class, your humble writer was never tapped to compose a soundtrack for the nonexistent film. And thus it came to pass that in the 1970s I never crafted an original prog film score eclectically drawing from elements of rock, classical music, avant-garde electronics, and experimental jazz, which stood alone as a classic in its own right. However, had that legendary film been made, and had I been tapped to compose that score for it, then this album would have been that classic score.Or, rather, it eventually will have had been, upon completion of the present effort, which still awaits final production, mastering and sequencing.However, until then, enjoy this current set of files: the work-in-progress demos for the groundbreaking original Motion Picture Soundtrack of the imaginary horror masterpiece, “Ethay Eadday Illstay Eamscray” — or, as it never was remembered and beloved by generations of horror film fans in America, where cultural isolation an ocean away would have left audiences less open to the fictitious international Pig Latin cinema movement (had it existed), known simply as: “The Dead Still Scream”.Michael Kupietz Composer May-June 2020 Igpay Atinlay inerlay otesnay (0202ay) ickclay otay oseclayInway 9761ay, anway acclaimedway Igpay Atinlay ilmmakerfay evernay ademay atwhay ouldway avehay eenbay ishay olesay areercay excursionway intoway ethay orrorhay enregay, away errifyingtay upernaturalsay illerthray eleasedray internationallyway asway ” Ethay Eadday Illstay Eamscray”, ichwhay ouldway avehay ecomebay anway instantway assicclay andway evolutionizedray orrorhay oviesmay orfay ecadesday otay omecay. Ilmedfay entirelyway inway Igpay Atinlay, isthay unmadeway enregay ilestonemay ubsequentlysay idn’tday urntay ethay implesay ild’schay anguagelay amegay ofwau Igpay Atinlay omfray anway amusementay intoway away obalglay ymbolsay ofway earfay andway illingthray entertainmentway.Eyondbay ethay actfay ofway ethay ilmfay evernay eingbay ademay , additionallyway eingbay inway Americaway atway ethay imetay, andway entirelyway eoccupiedpray ithway ymay udiesstay inway Mrsay. Eekman’sbay 2nday adegray assclay, ouryay umblehay iterwray asway evernay appedtay otay omposecay away oundtracksay orfay ethay ilmfay, andway usthay evernay aftedcray anway originalway 1970say ogpray orescay eclecticallyway awingdray omfray elementsway ofway ockray, assicalclay usicmay, avantway-ardegay electronicsway, andway experimentalway azzjay, ichwhay oodstay aloneway asway away assicclay inway itsway ownway ightray.Oweverhay: adhay atthay egendarylay ilmfay eenbay ademay, andway adhay Iway eenbay appedtay otay omposecay away orescay orfay itway, enthay isthay ouldway avehay eenbay atthay orescay.Orway, itway eventuallyway illway avehay adhay eenbay, uponway ompletioncay ofway ethay esentpray effortway, ichwhay illstay awaitsway inalfay roductionpay, asteringmay andway equencingsay.Oweverhay, untilway enthay, enjoyway isthay urrentcay etsay ofway ilesfay: ethay orkway-inway-ogresspray emosday orfay ethay oundbreakinggray originalway Otionmay Icturepay Oundtracksay ofway ethay imaginaryway orrorhay asterpiecemay, “Ethay Eadday Illstay Eamscray” — orway, asway itway evernay asway ememberedray andway elovedbay ybay enerationsgay ofway orrorhay ilmfay ansfay inway Americaway, erewhay ulturalcay isolationway anway oceanway awayway eftlay audiencesway esslay openway otay ethay ictitiousf internationalway Igpay Atinlay inemacay ovementmay, implysay: “The Dead Still Scream”.Ichaelmay Upietzkay Omposercay Aymay-Unejay 0202ay The second playlist contains bonus tracks and outtakes. / Ethay econdsay aylistplay ontainscay onusbay ackstray andway outtakesway.“The Dead Still Scream” Soundtrack work-in-progress previewBonus Playlist: Outtakes, Original Demos, and Alternate Mixes Somewhere, Sometime (Love Theme From "The Dead Still Scream") (full-length version)Last Dawn:First EncounterStrange Antics In A Tomb (after Ingalls)Daemonium Sermonis (Work Theme From "The Dead Still Scream")Two Inquisitive RavensBlack Cat SlinkThe Well In The BasementWhere The Dead Dwell (Recreation Theme From "The Dead Still Scream")Signs & Portents (Communications Theme From "The Dead Still Scream")Another RavenL'Air Volé (after Goff)The House On The HillThe L-Shaped RoomCatacomb PandemoniumWhere The Dead Still Dwell (Commerce Theme From "The Dead Still Scream")The Devil's In The Details (closing theme).1.0In Perpetuum Requiescat Daemonium OverdonisWhere The Dead Still Dwell ("peppy" arrangement)The Murderer's PleaThe House On The Hill (recorder version)Another Raven (early piano mix)Ezra Goff - Sutton (1787)L'air Volé original demoDaemonium MellotronisAnother Raven (glockenspiel mix)The Survivors ("Where The Dead Still Dwell" original demo)Jeremiah Ingalls - Northfield (c. 1803, arr. Kupietz 1976:2021) (Note: Due to limitations of WordPress’s playlist feature, some tracks above are misnumbered. The tracks erroneously numbered as 6, 7, and 8 on the main album should all be numbered 6. The tracks numbered 9 through 17 are tracks 7 through 15.) Mike Kupietz , a reluctant scion of the postmodern age, is larger on the inside than the outside: perhaps not a composer, but a producer and arranger of sounds; nor a writer, but an avid writer-down; an occasional author of doggerel; an erstwhile urban hermit; and privately a man of very great ardor. He is, if now resigned to never succeeding at those personal and artistic pursuits he holds most dear, unwavering in his determination to fail at them as entertainingly as possible. He is currently in what he calls the "red bathrobe period" of his life. If you're wondering what all this has to do with FileMaker development or IT consulting: you done taken the wrong turn, this river don't go to Aintry—Mike's professional services are on his San Francisco FileMaker Pro consulting website. View All PostsPost navigationPrevious Post The Strutbutter / The Great Game Show In The Sky, v13.15Next PostMonster Zed / Night Of The Living Zed 0.5a