Latest "Je nais se quois" files
Messenger Of Wrath

Messenger Of Wrath

A strangely ambitious story for a movie that appears to be a zero-budget amateur movie starring the director's never-acted-before friends. What starts home invasion captivity flick gets longer and more…
Where The Devil Roams

Where The Devil Roams

What we have here is basically two movies. For the first two-thirds, it's a narratively not particularly interesting but absolutely beautifully shot gothic piece about a murderous family of carnival…
A Beginner’s Guide To Snuff

A Beginner’s Guide To Snuff

This is a little different. This is a terrible, half-baked movie for sure. More black comedy than horror, and completely amateurish at that. A pair of bumbling filmmakers decide to…
The Old Ones

The Old Ones

Ok, this is truly weird. A sea captain, rescued after 100 years of being possessed by"the Old Ones", encounters magicians and monsters trying to get back to his own time, who he mostly seems to find junkyards and abandoned industrial sites around town. This is zero-budget, sub-"Creature From The Black Lagoon"rubber-mask monsters, to tell a story with as much ambition, weirdness and imagination as a Clive Barker film. Terribly miscast macho he-men who look like extras from a"Dirty Harry"police station scene—the actor playing the captain has almost 300 IMDB credits to his name including"Donnie Brasco"and"Fast and Furious"—run around spouting scenery-chewing Lovecraftian dialogue at each other, like"I have to go. Things are hunting me. Hideous things that dissolve and devour..."or"My pets. You see them? The creatures that fill what men call the pure air and the blue sky", as cheesy, obviously papier-mache bugs and creatures float and skitter around. Meanwhile, out of place humor pops up periodically, like bringing a magician the heart of a demon in a styrofoam takeout container, and when they tell him,"We have brought you a tribute", he says,"What, leftovers?", before opening up a demonic portal in his torso, a giant, hideous gaping maw full of very obviously fake rubber and foam fangs*; or, at another point, a waitress character for some reason played, completely straight and with no explanation or anything to suggest it's meant to be humorous, by a hipster-looking male actor with a goatee and mustache. This seems like a movie made by a very imaginative person who hadn't seen a movie since they were a young child and had only vague memories of what movies are supposed to be like, and a special effects budget limited to whatever they could spend in an hour at the craft store. I generally don't get into"so bad it's good", but this is so over-the-top, and they try so hard, despite having no budget and no talent, I can't help but be entertained by the effort. I might even give it an"honorable mention"... which, in this case, should not be confused with saying it's in any way good. Rather, it's so pyrotechnically, impressively bad, so ambitious without having anything even remotely resembling talent involved anywhere in the production, that I have definitely never seen quite anything like it. I can say that much for sure. (*C'mon. How cool is this, just for being so unrepentantly awful: https://www.voicesfromthebalcony.com/wp-content/uploads/2024/03/H.P.-Lovecrafts-The-Old-Ones-1.jpg)
Deadbolt

Deadbolt

alright indie thriller. Young woman escaping a bad relationship moves into a supposedly haunted house in a bad neighborhood with an overly clingy roommate, and things get weird. Could have been terrible but a couple of above-average performances put it just a touch above complete mediocrity. Canadian, not so Canadian (in the usual good way) that I'd have guessed, but it does make sense. Kind of succeeds by not overreaching for more than it can accomplish, sometimes you have to admire something just for managing not to be bad, which this does manage. Better writing would have helped even more.
The Lurking Fear

The Lurking Fear

Ok, couldn't have sounded less promising."When a TV crew shoots a reality show at an abandoned mental institution, they encounter a horde of demons, leading to a bloody fight for survival". But, then, I see Michael Madsen is in it. He has a glorified cameo as a smalltown sheriff for 15-20 minutes at the beginning. But, then, I notice something: for a movie that is basically what you'd expect from people wandering around a darkened abandoned building being attacked by actors in pancake makeup... it was actually alright. I don't really go for gore flicks, and it was super cheezy, but it was kind of good within those constraints. And then, instead of ending where most movies would, when the final girl escapes the asylum, it keeps going, and lets Michael Madsen come back to chew the scenery for a pretty brutal final act, elevating it to actually an alright Giallo-type flick. It's kind of weird and extreme and absolutely not subtle in any way, very much whatever the opposite of subtle is. I'm not a huge fan of Giallo, I mostly like it ok but don't love it, but if you're a Giallo fan, I might even say if you can put up with how long this takes to rise just a hair above the crowd, it might actually be worth seeking it out. I see it has a 2.5 out of 10 stars on IMDB, which makes sense, but, still. I might even watch it again someday, which is more than I can say for most of the crap horror films on Tubi.
Urge

Urge

Ha. Ha ha. Danny Masterson produced and starred in this, well, not exactly teen-scream flick, but mid-20s-scream flick? A group of gorgeous rich, callow friends get together on a luxury resort island and are introduced to a drug that removes all inhibitions, with the admonition"You can only do it once. In your life."From these predictable beginnings grows a film that actually has it's moments, in a cheap, Hollywood way... it reminded me of"Disturbing Behavior"in that way of basically being bad and predictable but was elevated by being rather consistent and having a few moments that went above and beyond what they needed to. It rises to some moments of surprising brutality for a flick full of Hollywood b-listers (Ashley Greene as the female lead, too.) The ending strives for some sort of greater significance and falls flat, but overall, again like"Disturbing Behavior", if you're going to watch a shitty movie, they come far shittier and slightly less clever than this. I could see watching it again sometime when I'm bored a few years from now if it comes up.
The Tangle

The Tangle

A pleasant surprise. This nominal speculative sci-fi indie is set in the near future when the internet has evolved into"the tangle", a global swarm of nanobots keeping everybody's brains connected all the time, as well as infecting their bodies to prevent them from being able to commit violence. But the pleasant surprise comes from a few solid acting performances, cinematography, and direction, and the fact this it's a fake-out: it's a solid updating of '40s-style film noir stle that only uses sci-fi as a plot device, and even has nods to '40s fashions along with the film noir cinematography. I wouldn't say it's great, not sure I'd watch it again, but it was way better most unknown Tubi fare. Definitely an interesting enough way to occupy 90 minutes. Perhaps even worth remembering.